I picked this book up at about 5:20pm last Thursday and had it read by 8:00pm. How's that for speedy?
Glass City by John Grochalski (Low Ghost Press, 2010) poet, former editor of The New Yinzer, dude behind the counter at Caliban Book Shop, my favorite poetry reading host to shout obscenities at, and fellow Pittsburgher Kristofer Collins recently started up a new press venture called Low Ghost, and John Grochalski's Glass City is the second book to be published by the fledgling press. The first was Kris' own The Book of Names and I'm a bit cross with him for not being more all over the web with that information, but Kris is not as big a fan of the internet as I am, so there's that. Glass City is on the long end of what I'll read during my exercise stints coming in at 70 5x6.25 inch pages - very similar to a City Lights book. John is not a fan of the long line, so I was able to read it all aloud in a little over 40 minutes.
I would say that this book is a collection of poems about bardo, the liminal states we all find ourselves in at some point in life. In the particular case of Grochalski's narrator, he is in the in-between place of no longer feeling as though he is within his "youth", yet at the same time not wanting to take the step into what those around him seem to view as "adulthood" - children, office jobs, fancy gadgets, and a decided lack of Kerouac-esque road trips. In response, the narrator builds for himself his own waiting space - one of dingy-seeming bars, multiple bottles of wine, cheap beer, and urban wasteland where he reminisces about his life in Pittsburgh (There were a lot of Pittsburgh-location Easter eggs in this book. I got to say "I know exactly where that is!" more than a handful of times) while living in New York City, but without the desire to return to that former life and not being sure what might be the next step forward.
I have to say that from the place I'm in, personally, I sometimes found it difficult to relate to the narrator's fears. Consciously I understand them and had them myself at one point, but I kept wanting to tell the character "It's okay - I have a kid and I work in a cubicle and I'm more productive and awesome and bohemian than I ever was before I did either of those things - don't worry!"
My favorite poem in the collection, by far, was conversations with henry miller, a piece about a man the narrator sees on the subway and then proceeds to have an imaginary friendship with, complete with anecdotes such as - "rick's girlfriend would be named saffron/it would be annoying at first/but she'd be so down to earth my wife and i/would get over it". I really appreciated the realness of the relationship he builds up in his head with this person he never even speaks to, and the acknowledgement at the end of having absolutely no idea what it is to make a friend any more. These moments of self-knowledge are what shine throughout Glass City.
Thematically and tonally this was definitely a step outside of what I usually read and in many ways was a complete switch from the previous day's reading of Afterpastures by Claire Hero. That's part of what I love about chapbooks/short books and trying to set aside two or three 40-minute periods of time each week for exercising and reading - it has begun to allow me to step outside of the type of work that I am usually drawn to - this is, I believe, the 14th review I've written this year (they keep getting longer and longer. At this rate I'll have to drop the "micro" from the title soon.), and so at least the 14th short book I've read in that time. I've had to seek out chapbooks to read while exercising, and I really like where that's taken me as a reader.
So go check out Glass City and Low Ghost Press!
Monday, December 6, 2010
Thursday, December 2, 2010
Micro Review - Afterpastures by Claire Hero
Afterpastures by Claire Hero (Caketrain, 2008) Caketrain is one of my favorite journals out there - Amanda and Joseph put together beautiful books full of lovely/weird/experimental writing, and I've never come away from an issue of Caketrain feeling let down. They also hold a chapbook contest each year, alternating between fiction and poetry, and in 2008 they published Claire Hero's Afterpastures. I read the chapbook once before when I first picked it up over a year and a half ago, and I recall feeling utterly lost on the first read-through. Not disliking the experience of being lost, per say, but being lost nonetheless. With this in mind, I selected this chapbook along with a few others to take a go at last night on my elliptical machine, reassuring myself that if I was too lost I could always just put the book down.
The first thing that struck me is that Hero's language is absolutely beautiful. She has an economy with words that I doubt I ever will, and I loved rolling each lovely one over on my tongue. There is certainly a dream-like quality to her work, a level of unrealness that perhaps tripped me up last time. In Afterpastures there is a strange and magical shifting between landscape and human body, human and wild beast, wild beast and domesticated, domesticated and wilderness, wilderness and urban landscape, and back to the human body again, each transformation crossing over into others. These themes, this transformative process, touched me this time in new ways. I loved watching the shifts and mutations of the speaker and her world throughout this book. I will say that there were still one or two places where I felt as though there was something going on that I had been left out of the loop on, but the sheer beauty of the out-of-the-loop-ness helped me drift through those spaces without frustration.
I highly recommend this chapbook, particularly if you're willing to spend some time getting to know it - it's well worth the knowing. It is presently out of print, but Caketrain often brings back books in a second printing or through free PDF versions on their website. I definitely would love to read more of Claire Hero's work (she has a full-length collection out from Noemi Press that I've linked to at her name) and am very glad I can back to Afterpastures.
Also! I am still on the lookout for more chapbooks to read and review! I've ordered a few this week, but would love suggestions for more - leave me a comment or drop me an email at myhyacinthgirl (at) gmail.com. I also have a couple full-length collections I'm working on longer reviews for, but those are longer in coming as they take longer to read and longer to write and cannot easily be finished on the elliptical machine.
Also also! Karen Lillis has added Virginia is for Lovers to her etsy shop! Yay!
The first thing that struck me is that Hero's language is absolutely beautiful. She has an economy with words that I doubt I ever will, and I loved rolling each lovely one over on my tongue. There is certainly a dream-like quality to her work, a level of unrealness that perhaps tripped me up last time. In Afterpastures there is a strange and magical shifting between landscape and human body, human and wild beast, wild beast and domesticated, domesticated and wilderness, wilderness and urban landscape, and back to the human body again, each transformation crossing over into others. These themes, this transformative process, touched me this time in new ways. I loved watching the shifts and mutations of the speaker and her world throughout this book. I will say that there were still one or two places where I felt as though there was something going on that I had been left out of the loop on, but the sheer beauty of the out-of-the-loop-ness helped me drift through those spaces without frustration.
I highly recommend this chapbook, particularly if you're willing to spend some time getting to know it - it's well worth the knowing. It is presently out of print, but Caketrain often brings back books in a second printing or through free PDF versions on their website. I definitely would love to read more of Claire Hero's work (she has a full-length collection out from Noemi Press that I've linked to at her name) and am very glad I can back to Afterpastures.
Also! I am still on the lookout for more chapbooks to read and review! I've ordered a few this week, but would love suggestions for more - leave me a comment or drop me an email at myhyacinthgirl (at) gmail.com. I also have a couple full-length collections I'm working on longer reviews for, but those are longer in coming as they take longer to read and longer to write and cannot easily be finished on the elliptical machine.
Also also! Karen Lillis has added Virginia is for Lovers to her etsy shop! Yay!
Thursday, November 18, 2010
Micro Reviews
I've got 3 reviews today, mostly because I read a lot and slacked when it came to review writing. Three very different poetry chapbooks by three awesome lady writers.
Instructions from the Narwhal by Allison Titus (Bateau Press, 2007) I picked this chapbook up at Bateau Press’ table at the AWP this past year. I love the journal Bateau (it is one of the very few journals to which I always am sure to subscribe) and wanted to check out their chapbooks, all of which are selected through their annual Boom Chapbook Contest, which, I found out upon looking at their website for this review, is open right now. I believe it was Ashley Schaffer, the managing editor of Bateau, who directed me toward Instructions from the Narwhal, and for that I am in her debt. As you may or may not be aware I read these chapbooks aloud to myself while working out on my elliptical machine. I read through the entire chapbook in order (if I find myself unable to get through a poem or two I usually drop the chapbook and start on a new one) and I try not to go back and reread anything until I’ve read the whole chapbook once. Often I will reread poems silently later, but I try to base these reviews on the impression I get from these books from one straight through out loud read. This was extremely difficult with Instructions from the Narwhal, in part because the poems are complex and more interconnected and multi-layered than I think I’ve perhaps even realized yet, but mostly because they were just so goddamn good and I wanted to reread every single one as soon as I’d finished it.
The chapbook is broken up into two sections. The first is made up entirely of a series of poems with the overarching title of Instructions from the Narwhal, with subtitles for each piece. Now, in addition to being poems addressed to the audience from a pretty badass looking animal, this series of poems was absolutely lovely in that it seemed to mix magic and science, myth and history, man and nature, seamlessly and beautifully in its puzzle-like instructions. Narwhals live in cold northern waters, and a sense of the silence of ice and snow permeated this entire chapbook. Even the feelings of the words on my tongue seemed round and soft. Though there may have been a chilly melancholy to the poems, they were far from cold, and while the thread of each poem may have doubled back over on itself, twisted around, and run me through complicated sailor's knots, each poem seemed to be less a tangle, and more a complex and powerful spell. The second half of the chapbook shifted from the voice of the narwhal to the voices of men and women, but still with the chill of cold water and the silence of snow in them. In fact, it was not until the final poem in the chapbook that I felt sharp sound in the poems, like the snap after hypnotism. I don't know if I am doing a particularly good job of describing this, but I did feel as though I was discovering some soft mystery throughout Instructions from the Narwhal, and I can't wait to reread it and hopefully experience that sensation all over again. This chapbook is neck and neck with Soft Foam for my favorite read of 2010.
Angel Face Trailer by Juliet Cook w/translations into Italian by Letizia Merello (Blood Pudding Press, 2010) I've reviewed Juliet's work before, and if you've read those reviews it should come as no surprise that I greatly enjoyed Angel Face Trailer. The poems in Angel Face Trailer start out reading as a call for women to participate in the filming of what is to be a strangely sexual and exploitative film. With the eye for gross-beautiful imagery that I so appreciate in Cook's work, she describes women desired and devoured in this slim chapbook. In addition to some pretty awesome poetry, what's interesting and different about this chapbook is that Juliet's work has been translated into Italian by Letizia Merello. Now, being unable to read Italian I cannot comment on Merello's translations, but in spite of my only speaking and writing in English, I do firmly believe that poets should translate more work and read more poetry in translation. I also understand how difficult and time-consuming it is to translate poetry having worked on the translation of some Buddhist texts a couple of years ago. But whether you read Italian or not, Juliet Cook's Angel Face Trailer is definitely worth picking up - and, per Blood Pudding Press usual, it's a lovely art piece to boot.
Virginia is for Lovers by Karen Lillis (Words Like Kudzu, 2007) Virginia is for Lovers is not a collection of poems about a beloved so much as a chronicling of the beloved's absence. It is clear, in reading this collection, that Lillis is both a skilled poet and fiction writer. The poems are written in a narrative style and set up in such a way as to tell the story of a young woman, the man she falls in love with, his sudden departure, and, perhaps most prominently, her despondence at the void he has left in her life. One thing I noticed while reading this chapbook is that Lillis really has a way with endings. She knows precisely both when and how to end a poem, and I never felt like she rushed an end or tacked anything on unnecessarily. Lillis' main character falls passionately in love with a man who hops a train, and she spends the remainder of the collection trying to come to terms with what he has done - the why, the wherefore, and even the how. Each poem following his departure chronicles a way in which she experiences aloneness, though not necessarily loneliness. While a part of me wanted to see the collection end with the main character definitively "getting over" the man who abandons her, it is perhaps more honest what Lillis does - show how often, there is not a point where we turn a sharply defined corner but rather a slow process of the edges of things getting worn smooth.
Both Lillis' Virginia is for Lovers and Titus' Instructions from the Narwhal are sadly not available online at this time, and it doesn't seem that Titus' collection will be available again any time soon, which is truly a tragedy. Lillis, however, is in the process of putting together an Etsy shop for Words Like Kudzu, which I linked to the in the review, so Virginia is for Lovers might show up there!
In other news, after a bit of a dry spell I've had three poems accepted for publication in the past week! Hooray! Two will appear in New South, and the third in Barge Journal. I'm excited!
Instructions from the Narwhal by Allison Titus (Bateau Press, 2007) I picked this chapbook up at Bateau Press’ table at the AWP this past year. I love the journal Bateau (it is one of the very few journals to which I always am sure to subscribe) and wanted to check out their chapbooks, all of which are selected through their annual Boom Chapbook Contest, which, I found out upon looking at their website for this review, is open right now. I believe it was Ashley Schaffer, the managing editor of Bateau, who directed me toward Instructions from the Narwhal, and for that I am in her debt. As you may or may not be aware I read these chapbooks aloud to myself while working out on my elliptical machine. I read through the entire chapbook in order (if I find myself unable to get through a poem or two I usually drop the chapbook and start on a new one) and I try not to go back and reread anything until I’ve read the whole chapbook once. Often I will reread poems silently later, but I try to base these reviews on the impression I get from these books from one straight through out loud read. This was extremely difficult with Instructions from the Narwhal, in part because the poems are complex and more interconnected and multi-layered than I think I’ve perhaps even realized yet, but mostly because they were just so goddamn good and I wanted to reread every single one as soon as I’d finished it.
The chapbook is broken up into two sections. The first is made up entirely of a series of poems with the overarching title of Instructions from the Narwhal, with subtitles for each piece. Now, in addition to being poems addressed to the audience from a pretty badass looking animal, this series of poems was absolutely lovely in that it seemed to mix magic and science, myth and history, man and nature, seamlessly and beautifully in its puzzle-like instructions. Narwhals live in cold northern waters, and a sense of the silence of ice and snow permeated this entire chapbook. Even the feelings of the words on my tongue seemed round and soft. Though there may have been a chilly melancholy to the poems, they were far from cold, and while the thread of each poem may have doubled back over on itself, twisted around, and run me through complicated sailor's knots, each poem seemed to be less a tangle, and more a complex and powerful spell. The second half of the chapbook shifted from the voice of the narwhal to the voices of men and women, but still with the chill of cold water and the silence of snow in them. In fact, it was not until the final poem in the chapbook that I felt sharp sound in the poems, like the snap after hypnotism. I don't know if I am doing a particularly good job of describing this, but I did feel as though I was discovering some soft mystery throughout Instructions from the Narwhal, and I can't wait to reread it and hopefully experience that sensation all over again. This chapbook is neck and neck with Soft Foam for my favorite read of 2010.
Angel Face Trailer by Juliet Cook w/translations into Italian by Letizia Merello (Blood Pudding Press, 2010) I've reviewed Juliet's work before, and if you've read those reviews it should come as no surprise that I greatly enjoyed Angel Face Trailer. The poems in Angel Face Trailer start out reading as a call for women to participate in the filming of what is to be a strangely sexual and exploitative film. With the eye for gross-beautiful imagery that I so appreciate in Cook's work, she describes women desired and devoured in this slim chapbook. In addition to some pretty awesome poetry, what's interesting and different about this chapbook is that Juliet's work has been translated into Italian by Letizia Merello. Now, being unable to read Italian I cannot comment on Merello's translations, but in spite of my only speaking and writing in English, I do firmly believe that poets should translate more work and read more poetry in translation. I also understand how difficult and time-consuming it is to translate poetry having worked on the translation of some Buddhist texts a couple of years ago. But whether you read Italian or not, Juliet Cook's Angel Face Trailer is definitely worth picking up - and, per Blood Pudding Press usual, it's a lovely art piece to boot.
Virginia is for Lovers by Karen Lillis (Words Like Kudzu, 2007) Virginia is for Lovers is not a collection of poems about a beloved so much as a chronicling of the beloved's absence. It is clear, in reading this collection, that Lillis is both a skilled poet and fiction writer. The poems are written in a narrative style and set up in such a way as to tell the story of a young woman, the man she falls in love with, his sudden departure, and, perhaps most prominently, her despondence at the void he has left in her life. One thing I noticed while reading this chapbook is that Lillis really has a way with endings. She knows precisely both when and how to end a poem, and I never felt like she rushed an end or tacked anything on unnecessarily. Lillis' main character falls passionately in love with a man who hops a train, and she spends the remainder of the collection trying to come to terms with what he has done - the why, the wherefore, and even the how. Each poem following his departure chronicles a way in which she experiences aloneness, though not necessarily loneliness. While a part of me wanted to see the collection end with the main character definitively "getting over" the man who abandons her, it is perhaps more honest what Lillis does - show how often, there is not a point where we turn a sharply defined corner but rather a slow process of the edges of things getting worn smooth.
Both Lillis' Virginia is for Lovers and Titus' Instructions from the Narwhal are sadly not available online at this time, and it doesn't seem that Titus' collection will be available again any time soon, which is truly a tragedy. Lillis, however, is in the process of putting together an Etsy shop for Words Like Kudzu, which I linked to the in the review, so Virginia is for Lovers might show up there!
In other news, after a bit of a dry spell I've had three poems accepted for publication in the past week! Hooray! Two will appear in New South, and the third in Barge Journal. I'm excited!
Tuesday, October 12, 2010
Whale Sound and more
A poem of mine, Things of the Earth, first published in Brink Magazine (and one of my earlier publications), was read by the lovely Nic Sebastian and posted on the website Whale Sound. You can take a listen here. There's also a link to the text posted on the site.
I really love what Nic is doing - the internet is such a place that can promote poetry not only through text but also through reading and performance. To me these are both very important aspects of a poem (see much of my work with the TypewriterGirls). However, very very few journals/lit venues take advantage of this. What Nic is doing is truly awesome because it is a collection, not of poetry text with reading, but poetry reading with text (if that makes any sense. I haven't had my coffee yet this morning).
Also, Nic has awesome taste and has published/read/posted a bunch of poets I simply love:
Sandra Beasley
Mary Biddinger
Juliet Cook
Juliet Cook again!
Crystal Hoffman
Dana Guthrie Martin
Sarah J Sloat
Sarah J Sloat again!
There are a couple of other journals I enjoy that also post readings of the poetry contained therein on their websites:
Goblin Fruit - Amal El-Mohtar and Jessica P. Wick edit this fantasy poetry 'zine and I kind of love it. Amal and Jessica have the poets themselves record the reading of their poems, and it's optional, so not all of the poems have an accompanying reading, but I very much enjoy having the chance to hear a poem in the poet's own voice. Their fall 2010 issue just came out a couple of days ago and 5 out of the 9 poems published in it are accompanied by readings. As a bonus, the website gets a new design with each issue, and the designs are simply beautiful, which most of the time is thanks to resident artist Oliver Hunter. Even if you aren't a fan of fantasy poetry you should really browse through the back issues just to see how lovely a literary journal's website can actually be. And if you aren't a fan of fantasy poetry Goblin Fruit might very well change your mind.
The Dirty Napkin - This journal is more traditional literary journal in content than Goblin Fruit. In order to listen to all of the readings you need to subscribe (a year is $16), but each issue contains a few pieces that can be listened to for free. They require that all accepted work be recorded, and do so over the phone, so sometimes the quality of the recordings is not quite as high as in Goblin Fruit or Whale Sound, but you are always guarenteed readings here, and I do like much of the work that they publish. You can check out their archives and listen to all the free readings there, too. I'm not sure how one gets ahold of the readings in the archive. Another really cool thing that they do is they select one piece each issue to be featured as the cover piece and have it written on a napkin and then photographed.
So go forth and listen to some bad-ass poetry!
I really love what Nic is doing - the internet is such a place that can promote poetry not only through text but also through reading and performance. To me these are both very important aspects of a poem (see much of my work with the TypewriterGirls). However, very very few journals/lit venues take advantage of this. What Nic is doing is truly awesome because it is a collection, not of poetry text with reading, but poetry reading with text (if that makes any sense. I haven't had my coffee yet this morning).
Also, Nic has awesome taste and has published/read/posted a bunch of poets I simply love:
Sandra Beasley
Mary Biddinger
Juliet Cook
Juliet Cook again!
Crystal Hoffman
Dana Guthrie Martin
Sarah J Sloat
Sarah J Sloat again!
There are a couple of other journals I enjoy that also post readings of the poetry contained therein on their websites:
Goblin Fruit - Amal El-Mohtar and Jessica P. Wick edit this fantasy poetry 'zine and I kind of love it. Amal and Jessica have the poets themselves record the reading of their poems, and it's optional, so not all of the poems have an accompanying reading, but I very much enjoy having the chance to hear a poem in the poet's own voice. Their fall 2010 issue just came out a couple of days ago and 5 out of the 9 poems published in it are accompanied by readings. As a bonus, the website gets a new design with each issue, and the designs are simply beautiful, which most of the time is thanks to resident artist Oliver Hunter. Even if you aren't a fan of fantasy poetry you should really browse through the back issues just to see how lovely a literary journal's website can actually be. And if you aren't a fan of fantasy poetry Goblin Fruit might very well change your mind.
The Dirty Napkin - This journal is more traditional literary journal in content than Goblin Fruit. In order to listen to all of the readings you need to subscribe (a year is $16), but each issue contains a few pieces that can be listened to for free. They require that all accepted work be recorded, and do so over the phone, so sometimes the quality of the recordings is not quite as high as in Goblin Fruit or Whale Sound, but you are always guarenteed readings here, and I do like much of the work that they publish. You can check out their archives and listen to all the free readings there, too. I'm not sure how one gets ahold of the readings in the archive. Another really cool thing that they do is they select one piece each issue to be featured as the cover piece and have it written on a napkin and then photographed.
So go forth and listen to some bad-ass poetry!
Friday, October 1, 2010
Make It So - because you need more proof of my geekitude
A series of events, most of them in my imagination, have lead to the creation of Make It So - a collection of Star Trek: TNG-inspired poetry.
You know you are a geek, deep down. You know you've written your own Ode to Spot, your own Klngon epic poetry, your own Darmok and Jelad at Tanagra.
Get the deets below or at www.makeitsomag.blogspot.com
I've been writing poetry about Captain Picard since I was about 8 years old (no, you may not read it). Now I'm a grown-ass poet, and I still want to write poetry about Captain Picard. It turns out that a fair number of us poets do. So I'm doing what any sane person who reaches this conclusion would do - I'm going to put together a collection of what is sure to be the most amazing poetry in the Alpha Quadrant, a collection of poetry about Captain Picard, the Starship Enterprise NCC-1701-D, and their crew.
My goal is to get this fine collection of literature out by June 16, 2011, aka Captain Picard Day.
"Margaret, how may I contribute to this amazing collection?!" you are surely screaming at your computer right now. Well, let me tell you in my best Majel Barrett voice.
I will actually be editing this - I'm not taking everything that is sent my way. If you want your poetry to be considered for Make It So, please email me up to 10 poems in a .doc, .docx, or .rtf file by, oh, let's make it February 14th, 2011 for fairly obvious reasons. Send them to makeitsomag (at) gmail.com.
Now, for other things you're probably wondering about. Defying logic, Make It So will be a print collection, hand-made by yours truly. There might be an online version. It's a one-shot. Don't expect this awesomeness on a yearly basis. Also, it's Next Generation only. I don't want TOS, I don't want DS9 (though that's a thought for the future. Mental note.), I don't want Voyager (though if you sent me an amazing poem about the doctor I'd weep silently as I wrote your rejection), and I'll probably get Klingon on your ass if you send me poetry about Enterprise. It doesn't have to be set in the Star Trek world - it can mention Star Trek, use Star Trek as a metaphor, describe your dream in which Patrick Stewart featured (well, up to a point. ahem.), etc. No porn, please (unless it's really hilarious, but then I'll probably reject it anyway - but it will be a good laugh!).
Make it funny, make it serious, make me really really wish that we lived in the same city and could dish about our old fanfic together (shut up - you know you wrote some awesome self-insert fanfic in the 5th grade), but above all, make it high freaking quality poetry about Star Trek: The Next Generation.
Bonus points for Klingon epic poetry with original text and translation.
You know you are a geek, deep down. You know you've written your own Ode to Spot, your own Klngon epic poetry, your own Darmok and Jelad at Tanagra.
Get the deets below or at www.makeitsomag.blogspot.com
I've been writing poetry about Captain Picard since I was about 8 years old (no, you may not read it). Now I'm a grown-ass poet, and I still want to write poetry about Captain Picard. It turns out that a fair number of us poets do. So I'm doing what any sane person who reaches this conclusion would do - I'm going to put together a collection of what is sure to be the most amazing poetry in the Alpha Quadrant, a collection of poetry about Captain Picard, the Starship Enterprise NCC-1701-D, and their crew.
My goal is to get this fine collection of literature out by June 16, 2011, aka Captain Picard Day.
"Margaret, how may I contribute to this amazing collection?!" you are surely screaming at your computer right now. Well, let me tell you in my best Majel Barrett voice.
I will actually be editing this - I'm not taking everything that is sent my way. If you want your poetry to be considered for Make It So, please email me up to 10 poems in a .doc, .docx, or .rtf file by, oh, let's make it February 14th, 2011 for fairly obvious reasons. Send them to makeitsomag (at) gmail.com.
Now, for other things you're probably wondering about. Defying logic, Make It So will be a print collection, hand-made by yours truly. There might be an online version. It's a one-shot. Don't expect this awesomeness on a yearly basis. Also, it's Next Generation only. I don't want TOS, I don't want DS9 (though that's a thought for the future. Mental note.), I don't want Voyager (though if you sent me an amazing poem about the doctor I'd weep silently as I wrote your rejection), and I'll probably get Klingon on your ass if you send me poetry about Enterprise. It doesn't have to be set in the Star Trek world - it can mention Star Trek, use Star Trek as a metaphor, describe your dream in which Patrick Stewart featured (well, up to a point. ahem.), etc. No porn, please (unless it's really hilarious, but then I'll probably reject it anyway - but it will be a good laugh!).
Make it funny, make it serious, make me really really wish that we lived in the same city and could dish about our old fanfic together (shut up - you know you wrote some awesome self-insert fanfic in the 5th grade), but above all, make it high freaking quality poetry about Star Trek: The Next Generation.
Bonus points for Klingon epic poetry with original text and translation.
Saturday, August 21, 2010
I'm a bad blogger and I'm cool with it
Recently, I've had to come to terms with certain things. This past year has held a lot of growth for me as a person, and I've changed a bit. Not in ways I've expected, but in ways that have made me really damn happy.
1. I'm okay with being a quitter. - You know that stupid-ass phrase "Quitters never win and winners never quit!"? Bullshit. Complete and utter bullshit. Only since I have realized the power and joy that can come from quitting have I truly become not a complete horror to be around.
2. I've begun to stop caring about "success" as a writer. - I got myself way too caught up in what would make me "well known", what would get me "recognized", what journals would be "good for my career". Ugh. Talk about needing an attitude adjustment. Thank Ganesha I've adjusted that crap. I'm a poet now. Which means I write poems. Period.
3. I really suck at blogging. - I don't update enough, I write whole entries and delete them, I don't comment enough on other people's blogs. Oh well. I'm not saying I'm abandoning this blog completely, but I've completely stopped stressing about when was the last time I updated. I really enjoyed writing the short chapbook reviews, and I'll probably do some more of those soon, but I also want to write longer reviews of a couple particular books, and sometimes when I'm exercising I really want to chatter at my husband. And that's cool.
4. That husband guy I mentioned is actually kind of important. - And by that, I mean really important. And by that I mean that he's the most important person in my life, tied with my son. He deserves my love, my time, my attention, and my care. I really wasn't giving him nearly enough of that. Now I am, and it's awesome.
5. I'm a very spiritual person, and yeah I'm a little new age-y. It's cool. - Up until about the second grade I just believed that reincarnation was what happened. I didn't question it at all until my parents took me to church and they told me I was wrong. That screwed up my world view for years. Then I became friends with a number of people who thought that all spirituality was weakness/a crutch. Now I'm more or less back to where I was when I was little, and I'm much happier. I believe in reincarnation. I love Ganesha. I don't meditate in the traditional sense but I treat writing poetry as communion. I think your cat might be enlightened.
So I'm happier now, I'm less stressed now, my relationships with my husband and with my son are stronger now, and I'm a poet. This pleases me.
1. I'm okay with being a quitter. - You know that stupid-ass phrase "Quitters never win and winners never quit!"? Bullshit. Complete and utter bullshit. Only since I have realized the power and joy that can come from quitting have I truly become not a complete horror to be around.
2. I've begun to stop caring about "success" as a writer. - I got myself way too caught up in what would make me "well known", what would get me "recognized", what journals would be "good for my career". Ugh. Talk about needing an attitude adjustment. Thank Ganesha I've adjusted that crap. I'm a poet now. Which means I write poems. Period.
3. I really suck at blogging. - I don't update enough, I write whole entries and delete them, I don't comment enough on other people's blogs. Oh well. I'm not saying I'm abandoning this blog completely, but I've completely stopped stressing about when was the last time I updated. I really enjoyed writing the short chapbook reviews, and I'll probably do some more of those soon, but I also want to write longer reviews of a couple particular books, and sometimes when I'm exercising I really want to chatter at my husband. And that's cool.
4. That husband guy I mentioned is actually kind of important. - And by that, I mean really important. And by that I mean that he's the most important person in my life, tied with my son. He deserves my love, my time, my attention, and my care. I really wasn't giving him nearly enough of that. Now I am, and it's awesome.
5. I'm a very spiritual person, and yeah I'm a little new age-y. It's cool. - Up until about the second grade I just believed that reincarnation was what happened. I didn't question it at all until my parents took me to church and they told me I was wrong. That screwed up my world view for years. Then I became friends with a number of people who thought that all spirituality was weakness/a crutch. Now I'm more or less back to where I was when I was little, and I'm much happier. I believe in reincarnation. I love Ganesha. I don't meditate in the traditional sense but I treat writing poetry as communion. I think your cat might be enlightened.
So I'm happier now, I'm less stressed now, my relationships with my husband and with my son are stronger now, and I'm a poet. This pleases me.
Friday, July 2, 2010
Elliptical Poetry, furries, etc etc etc
There's been silence over here, but with good reason, I swear!! Last week I was deep in the throes of planning/rehearsing/freaking out over TypewriterGirls Gone Furry. All elliptical time was spent memorizing my lines. Pretty much all my time for about three days straight was spent memorizing my lines, really.
It was all worth it, though - in spite of some minor snags (which all shows have, really) the show went amazingly well. Pittsburghers appreciated it, furries appreciated it, Ohioans Mary Biddinger and Juliet Cook appreciated it, and my brother made a damn fine Sidney Crosby. Also, I wore a gorilla suit in 85 degree + weather and did not pass out. That was more or less an act of god. We had the largest turn-out that I believe we've ever had for a show, and at least ten people have approached me since the show to make sure we'll be reprising this performance for next year's Anthrocon.
Speaking of Anthrocon, I have to say, I do <3 me some furries. Every one that I met was nice and helpful and the ones in fursuits pretty much all let me pet their fursuit, pull their tails, and get pictures. I can't say I personally will be going furry any time soon, but I'll totally hang out downtown when they're back next year.
I'm finally feeling like I'm getting back into the creative swing of things a bit. I say that tentatively, because I haven't seriously worked on anything for so long that I was starting to question labeling myself "poet" (not really, but you know...), but some things have occurred that have pushed me back toward my writing space, which is a space that I need to be in. I love writing and am at my happiest when I am writing and creating. I wonder if my discontent over the past 6 months had more to do with not writing and less to do with any other factor in my life.
A chapbook project I've been working on off and on over the past 4 years is taking off in my mind again. I used to be worried about some of the content, but I'm not now. If you want a small preview of my new old project, check out the newest issue of Pear Noir! - it's got three poems in it from this project, and I'm pretty darned excited about them. With that said, I was on the elliptical machine for 50 minutes yesterday (in spite of Ben's best efforts to distract me) and I read some of that issue of Pear Noir!
Pear Noir! #4 (Summer 2010) - One really great thing that I must say about Pear Noir!'s fourth issue is that it has an amazing sense of cohesion. I find that to be a very difficult thing to find in a literary journal - they're usually much more scattered than, say, a single-author collection or themed anthology, but the folks over at Pear Noir! pulled it off. There's a gritty darkness to every one of the pieces I read (even one about baking a pie). There is some weird shit in here. There's a fiction piece called The Robot Vampire Lioness, and yes, it is odd, off, and borderline-ridiculous (okay, maybe it did a flying leap over the border), but I liked it nonetheless, in that "what the fuck am I reading? This is absurd!" kind of way, and isn't that the best way, in the end? Go get yourself some Pear Noir! and not just because I'm in it.
It was all worth it, though - in spite of some minor snags (which all shows have, really) the show went amazingly well. Pittsburghers appreciated it, furries appreciated it, Ohioans Mary Biddinger and Juliet Cook appreciated it, and my brother made a damn fine Sidney Crosby. Also, I wore a gorilla suit in 85 degree + weather and did not pass out. That was more or less an act of god. We had the largest turn-out that I believe we've ever had for a show, and at least ten people have approached me since the show to make sure we'll be reprising this performance for next year's Anthrocon.
Speaking of Anthrocon, I have to say, I do <3 me some furries. Every one that I met was nice and helpful and the ones in fursuits pretty much all let me pet their fursuit, pull their tails, and get pictures. I can't say I personally will be going furry any time soon, but I'll totally hang out downtown when they're back next year.
I'm finally feeling like I'm getting back into the creative swing of things a bit. I say that tentatively, because I haven't seriously worked on anything for so long that I was starting to question labeling myself "poet" (not really, but you know...), but some things have occurred that have pushed me back toward my writing space, which is a space that I need to be in. I love writing and am at my happiest when I am writing and creating. I wonder if my discontent over the past 6 months had more to do with not writing and less to do with any other factor in my life.
A chapbook project I've been working on off and on over the past 4 years is taking off in my mind again. I used to be worried about some of the content, but I'm not now. If you want a small preview of my new old project, check out the newest issue of Pear Noir! - it's got three poems in it from this project, and I'm pretty darned excited about them. With that said, I was on the elliptical machine for 50 minutes yesterday (in spite of Ben's best efforts to distract me) and I read some of that issue of Pear Noir!
Pear Noir! #4 (Summer 2010) - One really great thing that I must say about Pear Noir!'s fourth issue is that it has an amazing sense of cohesion. I find that to be a very difficult thing to find in a literary journal - they're usually much more scattered than, say, a single-author collection or themed anthology, but the folks over at Pear Noir! pulled it off. There's a gritty darkness to every one of the pieces I read (even one about baking a pie). There is some weird shit in here. There's a fiction piece called The Robot Vampire Lioness, and yes, it is odd, off, and borderline-ridiculous (okay, maybe it did a flying leap over the border), but I liked it nonetheless, in that "what the fuck am I reading? This is absurd!" kind of way, and isn't that the best way, in the end? Go get yourself some Pear Noir! and not just because I'm in it.
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